Showing posts with label australia. Show all posts
Showing posts with label australia. Show all posts

Monday, 26 May 2008

life in pastiche, its fantastisch ! #1


DONALD 
BARTHELME



ONE
STORY





MS D NAKOVA’s milk-white Russian cheek blushed red broken maps of Australia everytime she took me to bed. The sandstone walls of her basement apartment coughed up dust and the red flush moved to the tip of her hooked nose, transported by the IGA brand tissues she wiped her allergy-borne mucus with. She read until she fell asleep, or until her nose ran two unstoppable lines of salty water and then she could not stand it anymore. She would turn off the naked bulb of her reading lamp, blow her nose in a final, violent hmmmpf! and put on her silk SARS mask to go to bed.

MS D NAKOVA liked my stories; she would wake up at six, listen to the trap-trap-ing of horses and carts training for the afternoon races at the hard sand track next to her house and then she would read some more. She liked Conversations With Goethe and The Genius, my sillier stories, because they made her laugh and forget about her runny nose. But after three days she decided a funny man would not make her happy.

On the night of the third day MS D NAKOVA came home at two o’clock, giggling and smelling of sweet vodka drink. She introduced me to MR M JOHANI, a brown man with a foot-high Elvis quiff on his square head. He said it was really a Morrissey hair and told MS D NAKOVA that he too had read, and liked, Conversations With Goethe. He said this after running his eyes quickly up and down my Contents page when MS D NAKOVA went to the bathroom and he saw the faint Nike swoosh of pencil tick next to the title. MS D NAKOVA was pleased; she told MR M JOHANI how she liked boys who read and how cute he was with his Morrissey quiff and do you want to go to bed now.

In the morning MS D NAKOVA made weak white tea for herself and strong black tea with no sugar for her new lover. They sat in bed under the naked bulb and drank from MS D NAKOVA’s mismatched Target teacups. They read Conversations With Goethe together, he making up bad German accent for the direct quotes and she covering her nose and mouth with the fluffy edge of her Bonds pillow when she laughed. “You’re funny,” she said.

I knew by the morning’s end MS D NAKOVA would no longer want me in the house. That was five hours ago. Now I am standing with my back to to the world and MS D NAKOVA’s Adult Self-Check Receipt hidden inside the accidental pocket of my front sleeve. It says DUE DATE: 05/03/2001 in red ink. The electronic calendar on the wall says 5 MAR in big black letters. She had never done this before. I was returned on time.



Wednesday, 26 March 2008

I have long carried the following thought(s)/emotion(s) in my head:

  The next installment in my Nunzia Nanzio stories where we leave mike d. and rob g. and go on a walk around the block where they live:
  The people who live on and around this narrow, tree-lined, strip remember nothing, have no memories of their past, anything, except for an instinct to use whatever devices they find waiting for them in their shops every morning.
  So the bakers will switch on the oven and bake palmiers. The newsagents will turn on their cash machines and give early-rising people with take-away cups of coffee in their puffy hands their exact change for a copy of today's newspaper and a carton of milk. The lesbian shopkeeper will start roasting coffee beans for her Vitalux coffee machine. It gleams in the pre-loved dullness of her bookshop. It is called ————
  Everything works. But nothing means anything.

Tuesday, 15 January 2008

Pas l'éducation sentimentale

- now i can live without this this distilling of a day thru the cheap (less than aus$10,000) coffee machine of me brain. no more waiting waiting waiting for the splotch splutter swish of dirty brown half quarter no truths into the cracked coffee single-serve cups of me minimum opus.

- i can live without this. we used to hate this whole thing didnt we. it used to hurt even on good days. even when you were writing something true it felt like you were lying thru yr teeth. none of the Hem smugness you wanted so much.

- it was like Flaubert in Madame Bovary. there was no meaning in my life (i shdve really just killed myself) so i tried to create another world in order to destroy what i had (whatever meaning it had left).

- it was like, 'mme bovary put an extra corner on her husband's dilapidated tricorn hat.' this line is extraneous (like the extra corner). 'tis written to convey to you a nothingness the emptiness of life in Yvetot (or wherever) the feeling of breathing in a vacuum. how cd such things exist? how cd it be written without emptying the soul of the writer (assuming he did have at least a half one)? but even if he did he wdve lost it now gone forever in the very act of writing that goddam sentence.

- it feels like the sentence shdve been written in chalk and rubbed off after reading.

Thursday, 29 November 2007

Look out

You said
on that lookout
I could see both
my country
and yours

But I've been there
I could only see
you.